Showing posts with label man. Show all posts
Showing posts with label man. Show all posts

Tuesday, September 3, 2013

Minneapolis...Face 3 of 29


29 faces

Day 3 of 29 Faces and the 30 posts in 30 days do-over!  

I've got a face I'm SUPER happy with for you all today:

"I've been waiting for you to come back..."

I'd like to find a way to say how awesome I feel about this page without breaking my arm patting myself on the back!  Let's just say that I'm as surprised as you all are, how about that???  *insert a million angels singing and sunshine rays shining down on this page*

I picked the words for the page out of this song (Minneapolis by Lucinda Williams):




I always listen to music, especially when I'm arting it up...and I have to say that Lucinda Williams is one of my all-time favorite artists...I would go so far as to say that she's in the top three, if not number one on my list...and that's saying a lot, because I LOVE all kinds of music and it's hard for me to play favorites with singers and songwriters.  But 99.99999999% of the time, lyrics are my favorite thing about the music, and Lucinda's songs always have amazing lyrics.  That last verse especially gets to me:  "A dozen yellow roses All that's left in Minneapolis. I wish I'd never seen your face or heard your voice.  You're a bad pain in my gut.  I wanna spit you out.  Open up this wound again Let my blood flow red and thin Into the glistening Into the whiteness Into the melting snow of Minneapolis"  Can't you feel the sadness in it?  It just moves me so much!

At any rate, back to the journal page, I used a 2B pencil and black and gray watercolors (cake type...I think they are called pan watercolors, but doesn't calling them cakes make you feel so much better?  How can cakes be bad???) to make him.  You KNOW I'm happy when I don't want to even add color!  That NEVER happens!  (The pink at the right side of the picture is not on the page, it was over-spray from a previous page that got on the edge of the back cover and some of the later pages, but it's not actually on the page with this dude.)  There are only two things that bother me ever so slightly about this page, the shading on the nose...I think I could have done a little more with that...and the ear.  The ear bothers me the most...but in my defense, I couldn't see the ear in the photo reference I used; it was blurred out.  Well, let me just show you the picture I used: 


See?  That ear is all blurry and I couldn't get it right!  I will look for non-blurry ears in the future!

I know my page doesn't look like the reference photo, but I am still REALLY happy with the end result.  It definitely came out looking like a human, so that's a positive.  I'm pretty sure you can tell it's a male human...and masculine faces are harder to draw than feminine ones (at least they seem to be to me).  And I even thinks it looks like an attractive male human...not a horribly disfigured elephant man/Quasimodo...So overall, even if I stopped here (WHICH I'M NOT GOING TO DO), 29 Faces would still feel like a success for me...That's how happy I am with this face!

So before I go, don't forget that if you'd like to do my 30 posts in 30 days challenge do-over with me to please leave your link in the comments.

Also, if you've followed along with the blog for a while, you know I've been PROMISING to have a little giveaway when I reached 5,000 page views.  Well, 5,000 page views kind of blew past me when I wasn't looking!  Thank you sooooooo much for helping me get there!  Since I missed that milestone, what I decided to do is have the giveaway at the end of the month.  I have already started putting together a fun prize package...but you have to wait to see it...  On day 29 (since there's 29 faces), I will post a picture of the goodies (and of my 29th face, of course!) and then on the 30th, I will draw the winning name and announce it on the blog!  So, what do you have to do to be entered in the drawing?  If you're not already following me, it would be fantastic if you would follow my blog (I feel like I'm trying to start a cult when I say that) and then come back on Day 29...September 29, 2013, just to be clear...to see the prize and leave a comment so I know you want to be entered for a chance to win!  That's it, just two little things!  I'm really excited that you all care enough about the blog and my art that you keep coming back and checking in on what's happening...I wish I could give everybody prizes!  Big squishes and eager anticipation happening on my end!!!

Sunday, July 7, 2013

Inner Excavations Week 2

Ok...so you know my usual disdain for the hippy dippy/emotions/hard stuff...well, fair warning...  Be prepared for the opposite side of that today...also for a lot of talking...

Chapter 2 in the Inner Excavations book (IE) is called "I seek".  It deals with looking into the past, but it also talks about our senses and noticing the details around us in any given moment.  

These days, I'm pretty good at noticing the details around me.  For instance, this morning I was noticing that the ceiling fan was casting shadows on the wall that circled around me like a mini strobe light.  It's still doing it, and it's very distracting now that I mentioned it...  I heard the scratching sound my favorite pen makes when I was writing some journaling.  I can smell this little tiny left-over smell of cinnamon from an almost empty plug-in air freshener in the kitchen.  

The hard part about this chapter for me was looking into the past.  I don't have a lot of memories about my childhood.  If I think about it really hard, or if I talk about it with other members of my family, then I can remember specific details of my childhood.  I can pick out pieces of certain days that were good.  

There are also a lot of unpleasant things that come up.  I've learned to deal with these things over time.  I choose not to dwell on the bad stuff that happened to me as a kid. Maybe one day, when there's money for a therapist, then yes...but for the most part, I've got a handle on it. I know what's there, and I know that I didn't deserve it (no one deserves bad things...not even bad people...but especially not children) or cause it.  I also recognize that, at a certain point, you can't use these things as an excuse anymore.  Of course I've been shaped by the things I went through, but I'm an adult, and, as such, I am the one responsible for my actions now.  It's taken me a long time to come to terms with that.  It's something I still struggle with.  But I do struggle, I do try.

Of all the things that bother me about my childhood, the thing that bothers me the most is that there wasn't a permanent place where I felt safe to be myself.  There was a lot of "this is right" and "that is wrong", which isn't bad in and of itself.  The hypocrisy that I grew up with, however, was very wrong.  It was confusing to a child and caused a lot of resentment later on.  I learned to be fake at a very early age.  No one can know the truth.  People don't need to know our business.  People don't like sad people, so you just have to be happy all the time.  It doesn't matter whether you're actually happy or not.  These are things I still have a hard time with.  I feel the need to conceal my feelings about certain things.  I feel the need to smile even when I'm a wreck.  If it does manage to seep out, I apologize for it.  

I think it's one of the reasons I like this blog so much.  Because I can just be myself.  If people like me, that's great.  If not, that's fine too.  I am working to make my real life, the day to day person I am, more like that.  It's hard, because online I've met a lot of really supportive people.  I can say what I need to say and they aren't telling me I should think a different way or be a different person.  I don't feel like I've really got that as much in my real life.  I feel like I can't share things.  I get the eye rolls when I talk about certain ambitions of mine.  There are things I've learned not to share because they are judged harshly.  I've heard 'you wouldn't care if you didn't know it was wrong' more times than I can count.  The thing is, sometimes I'm not ashamed of these things, but I don't want the other person to be ashamed of me either.  And that doesn't work, because we have different outlooks.  It's not anybody's fault, it's just how things are.  

So when I thought about all of that, it occurred to me that I'm looking for my 'home'.  I'm longing for a place where I can be entirely myself and be appreciated and encouraged, instead of feeling like I'm squashed into the mold of another person's ideals.  And I think that most people are looking for that 'home' in some form or another.  Maybe a few very lucky people already have it, but I think that, for the most part, it's a place that doesn't actually exist.  Because we want that 'home' to be perfect, and it's just not going to be.  We either have to take what we've got and learn to live with it or we've got to find a way to make what we've got change into what we need or else we've got to leave what we have where it's at and start looking for something more.  

I had all that in mind when I made the assemblage piece for this weeks chapter in IE: 

On the inside, I'm just a crusty, bearded, weather-worn sea captain wanting to go home.

When I went to do my journal spread for this chapter, I had a slight shift.  I was thinking about this evasive 'home' I long for and realized that I feel like I've had it and lost it.

There are a lot of extra details I won't go into here, but I'll give you the gist of it.  

I had a very dear friend, Leonard, who was this home for me.  He was smart, funny, kind, insightful, and a million other things that made him precious to me.  He was the first person, the only person to date, that made me feel accepted for exactly who I was.  There were no outside reasons for him to like me, he had nothing to gain from liking me, he didn't have to like me.  But he did, simply because I was me.  And I believed it.  It's pretty much the only time in my life I've ever felt that way about someone...everyone else has a reason, everyone else has something to gain by befriending me...not Leonard.  

And he was a great friend.  He could be obnoxious and arrogant, he fought his demons but sometimes he quit fighting and let them reign over him.  Even then, he was the best friend I've ever had.  He would listen, actually listen, when I talked.  When I asked for it, he would give me good advise, tell me all the pros and cons of the different choices, and then tell me to go do what I wanted.  He'd make fun of things I'd do and in the same sentence he'd tell me he was proud of what I'd done.  He didn't make me feel inferior or that I was wrong for doing, saying, or thinking a certain way.  And he was the only person I have ever known that would ALWAYS tell me the truth.  Even when I didn't want to hear it, even when it was hard and I hated him for it, he never once lied to me.  I think it was my favorite thing about him.

Three years and a few months ago, Leonard killed himself.  There are a lot of extra details that come in to play that I won't be talking about here, to save the feelings of those that remain and because, frankly, I've cried enough this week.  

Looking back now, I think that there were things I should have noticed.  But you never really believe someone you know will do something like that...even once it's done, you can't believe it.  It takes a long time to accept it as the truth and so, so long to get to a place where you feel like you can breath again.  But then you have bad days and good days...I still do, and I think I will for the rest of my life.  Everything I do has his ghost in it.  I wish I could tell him things.  I wish I could hear his voice giving me good advise.  I wish he could see and experience all the things I see and all the things that happen in life.  He lost so much.

When it gets really bad, I write him.  Sometimes, they're long and sprawling letters.  Other times, they're just a sentence or a snip of a thought I'm having.  It helps though, either way, to get it out of my head.  I thought I would share the most recent thing I wrote (before I did the journal spread): 

"Sometimes I still catch glimpses of you, even though you've been gone for so long now.  It's hard to think about how life goes on in all the insignificant ways, how I get older and you never will.  I know I see you with rose-colored glasses, that my memory of you has become hazed over with half-truths and even entire lies and that no one would ever be able to live up to that harsh standard of perfection you've set by dying before your time.  And I hate so much that this knowledge is in my head, crammed down deep, next to the strong desire to find someone like you, when the truth is no one will ever be all of the things I know you were and all of the things I have imagined you had been.  And I feel the years and I feel the weight I carry and the burden that you've forced me to take possession of and this hollow person you've made me become: trying to find this beautiful thing that will never be found again, that was really never there at all."

I know that I'm not the only one who lost him.  I know that he touched the lives of many people.  And, honestly, the whole world is less for having lost him.  For all his flaws, he was a good person; there aren't a lot of those left.  

After he died, I started looking for someone like him.  To take his place, I guess, or to make up for what I lost, or to make it easier at least.  I look for pieces of him in every person I see.  And that's not fair.  No one will ever be what he was.  Because even he wasn't the person that is in my mind now.  His flaws are glossed over to the point where they never existed...and he was flawed, everybody is.  That's the way we are, and I'm sad that I've lost those pieces of him.

That's what was on my mind when I worked on this week's spread:

Inner Excavations, Week 2: "I seek"

Left page, close up:

This poem is by Lang Leav, and it fits the way I feel.  It's entitled "Closure":

Like time suspended,
a wound unmended-
you and I.

We had no ending,
no said goodbye,

For all my life,
I'll wonder why.

Right page, close up: 

The diagonal journaling that goes across the two pages is just some free writing I did.  This is a painting I did of Leonard, which doesn't do him justice (he was a very handsome man and I am an unskilled amateur at painting), but it does give me the impression of him over all.  The black shirt is actually a tip-in (I think that's what they call them), and you can see that in the picture below.


The black shirt lifts up in this way.  There is more journaling on the page, and then on the back of the tip-in, I wrote the poem I had written for this weeks prompts (basically memories and senses), which you can read below.






































































This is the 'memories and senses' poem I wrote:

I hear him say my name
and the words "I love you" rolling off his tongue
like his was the only mouth I was ever meant to hear it from.

I taste the cold on his lips 
and the warmth that radiated from within
like all the good in the world came from him.

I feel his hands running up and down,
slowly, over the length of my arms
like he was the only thing keeping me safe from harm.

I see the electric light
pulsing in his throat under the skin
like this was the moment we would always live in.

I smell his shirt:
lightly cologne and laundry soap so clean
like he was the innocence in this world so mean.

I know that life must teach us things
but life keeps showing me again and again
that beautiful things cannot last, as if I didn't know it then.


The thing about the past is this: it's over.  Whatever happened, it can't be undone, only dealt with.  The hard truth is that no one knows what consequences their actions might lead to.  Kind people consider the options before acting.  Foolish people either don't consider this or they do and simply don't care what the results will be.  And then there are people who are so afraid to make a move, afraid of what their actions will cause that they do nothing.  These people are basically martyrs.  I mean this in that they sacrifice something of great value over principal.  They suffer for it.  They end up being victims.  Because time and other people's actions make the choices for you if you don't decide for yourself.  I've been all three types of people.

These days, I feel like a martyr and a fool.  I have all these thoughts in my head, things I'd like to do, ways I'd like to be, but I'm so afraid to make the move.  Then I get resentful and I jump into doing stupid things that I don't really care about just to be able to say I did something.  Or in the end, because I don't choose, someone else chooses for me.  Time keeps ticking.  Opportunity passes with every second.  Going with the flow is fine, but if you never swim against the current, you end up in an ocean of someone else's troubles.  

And I hate it.  It's stupid and it's weak.  I only get one life.  I don't want to come to the end of it and regret that I live someone else's version of my life.  I want to live MY life.  I want to live it for me alone.  And I want to live it so that I can be proud of it and so that the people who have helped me along the way can be proud of me.  I want to live it so that if Leonard was watching he'd be proud.  He'd know I've learned the smart and beautiful lessons he taught me while he was here.  

I've spent too much time thinking about what I don't want, who I don't want to be.  Time has been wasted not being myself, hiding myself away.  I'm done with that.  The time has come to start being the person I am and thinking about the things I do want.  And not just thinking about them, but actually working to make them happen.  



Tuesday, May 28, 2013

The Process and the Man

I woke up this morning, sad because I had to go back to work today after the long weekend.  *insert my Lucille Ball/I Love Lucy type "WAAA!" here*  I popped over to my blogger dashboard thingie, and lo and behold, I was pleasantly surprised to see that I have 2000 page views (exactly 2000 too, which was a pretty neat coincidence)!  Woo Hoo!  That's totally awesome! I just had 1000 page views just a short while ago, and now we've hit 2000!  What?!?  I am so excited!  I still didn't want to go to work today (I wanted to stay home and do celebratory dances all day long), but either way, my sad face disappeared and perma-smile took over!  Thanks everybody!

Today, I thought I might show you how I come up with my faces that I draw...the condensed version anyway.  One day, I am going to remember to take a lot of pictures during the process and get you the long version.  I tend to get caught up in the excitement and forget to take pictures, but I am going to eventually strap the camera to my forehead and remember.  At any rate, today you get the short version...

The important thing to remember here is that I am not an expert by any means.  This is my current method, and you have to find what works for you.  I'm definitely still learning myself.  But, from where I started, I'm much improved and I thought that this info might help somebody...

The short version starts with me finding a good reference picture.  Most of the time, I use my trusty Pinterest account to do this.  You can check me out on Pinterest by clicking the button in the left side bar of the blog, or by searching "Sweet Red Clover" on Pinterest.  Don't do it now, or you'll get sucked into the vortex of amazingness that is Pinterest and forget to read the rest of this post...I know this because I do that at least once a day...so wait till you're done reading, then go look at it...and enjoy the pleasure spiral that is Pinterest...  

On Pinterest, I have a board called "Photograph", which is where I put the images I've seen that really stand out to me in one way or another.  I like to use pictures that really catch my eye.  I keep this board in mind whenever I'm online, because you never know when your pin might come in handy.  I've found the best pictures on random sites that have nothing to do with art or even that particular photo...sometimes they're just ads in the side bar!  But that doesn't matter, because these are images that I can get excited about.  

I scan through my "Photograph" board until I find one that fits whatever mood I am in that day.  Sometimes I can't find an image on my board that I want to use, so I go searching on Pinterest for interesting faces till I find one.  For me, the 'interesting' part is important.  If I REALLY like the reference photo, I've got a better shot at making the piece it inspires interesting (at least in my eyes).  And interesting doesn't always mean 'pretty' either.  But that's a whole different topic in and of itself, isn't it?

Here's the picture I used as my reference this time:

Hello, handsome!  I liked this guy's sweater and his cute little ears and strong jawline...his forehead is a bit weird looking to me, which is probably the real reason I liked this picture.  I like things that are a little 'off' to me...I don't want perfect, I want interesting.

After I find the right picture, I do a simple face sketch...this is the part where I really need to remember to take pictures next time.  This is where I take a pencil and lay out the face shape.  I start with (usually) an oval, adding a line down the center vertically and three lines across horizontally.  Many people do their guidelines as half, half, and half.  I do mine half, half, and a third.  This means that I draw a line half the distance from the top of the oval to the bottom of the oval (this is where the eyes will be), half the distance from that 'eye' line to the bottom of the oval (this is where the bottom of the nose will be), and a third of the distance from that 'nose' line to the bottom of the oval (which is where the mouth will be).  Depending on the particular face, the proportions are a little different for each drawing, but I've found that half, half and a third is what I like the best in most cases.

After I draw that out, I add simple shapes for the eyes, nose and mouth.  This is just to get them where they should be, not getting them in fine detail...that comes later...  Then I adjust the outer oval, because nobody's face is a perfect oval shape...or at least nobody I've come across so far  Among other things, the guy above has a more squared off jaw, and his face dips in where his eyebrows are.  I gave my guy a hat, because he looked cold and because I couldn't see his hair, and, to be honest, hair is hard for me...I get bored with hair fast...both my own (hello ponytail!) and hair to draw.  When I get the face shape to a place I'm happy with, then I adjust the shapes of the features...adding in the details of what they really look like.  There is A LARGE AMOUNT of drawing and erasing that goes on in this stage.  So much erasing...  I've found a really good tip concerning erasing somewhere along the way, which is if you're not happy with a particular line, draw the new line, then erase the old one...I had always done this in reverse before, but leaving the old line in is a visual reminder of what I didn't like about it and helps me to not repeat the same mistake twenty times.    

Once I'm relatively happy with what I've got, I either go over it in waterproof pen or (as has been the case lately) I spray some kind of fixative on it so the pencil won't smudge.  I use hairspray because it works and I am too poor to buy fixative.  Hairspray will eventually yellow, so if that's a problem for you go buy some fancy fixative...and buy an extra can for me... 

I wish I could find the link for a video I watched on YouTube where this FABULOUS lady was doing a tutorial on how she draws faces.  If/When I find it, I'll post the link.  Anyway, she was talking about drawing and said something to the effect of: "I don't like to draw things exactly how I see them.  If you want an exact copy, why not just take a picture?  I like to put my own spin on things, put myself into the drawing."  Not her exact words, but the point is there.  I like this because a) it makes a lot of sense and b) it makes up for the fact that I am not ABLE to draw an exact copy...yet.  So, if you get frustrated that your drawing doesn't look exactly like your photo, just tell yourself that you are "putting your spin on things" and keep practicing. 

So here's what my pencil drawing looked like when I was done:

Not an exact copy by far...but my spin on the photo has been spun...

Next up is color.  I do a lot of 'fixing' with color...probably more than I should.  I think that I need to spend more time in the pencil drawing part if I want to improve further, but I digress...

I am a big fan of watercolor, because you can still see your drawing that you spent so much time on.  Acrylic and oil, which are also great, are harder in my eyes, because you are getting rid of your pencil marks...and you have no guidelines once those are gone. Watercolor is much easier to me.  And you can build color, starting out really light and slowly working to dark, which has helped me in learning more about (and  putting into practice) highlights and shading.

The most important thing I've learned concerning color is to use a light hand.  You can always add more, it's not so easy to take it away.  The second most important thing (especially with watercolors it seems) is to start with lighter colors then go to darker colors and it's for the same reason...you can build up with your light colors and that might be enough to get you where you want to be, whereas if you threw that dark color in, it's hard to take it back...

So, after much explanation in getting to this point, here is my man:

The journaling got cut off a little, but it reads: "I had so much more to say to you.  What do I do now?"

So, clearly, I don't know everything.  *insert your shocked gasp here*  But I thought you might like to hear how I do my faces.  I've learned a lot by watching other people, and by being willing to practice over and over and over and over (and over and over...), and I'm always searching for ways to do better.  

It is a complete understatement to say that I love making these faces.  Perhaps it's because I'm looking for a personal connection, and so drawing something with eyes and ears and a mouth is my way of finding that.  I can 'say' things to these drawings that I can't say to live people.  I can make them tell me what I need to hear...which kind of makes me sound like a crazy person, I know.  What I mean is that when I'm done with a drawing, I get this mental clarity...I figure out what I've been thinking about deep in my mind that I might not have gotten to understand otherwise.  I don't usually start out with anything particular in my head, other than wanting to draw.  Even if I do begin with something in mind, where I end up could be a totally different place.

For instance, the man I shared today.  In the beginning, I just wanted to see if I could draw a man...this guy is my first attempt at a man since I really started trying to draw in earnest.  But the more I drew, the more he became something else.  See that reddish hair?  I grabbed up the red before I even knew what I was doing.  And once that got on the page, two distinct things came into my head.  There are things that have gotten taken away from me, and I wasn't ready to lose them; I wasn't done with them.  And I've been looking for ways to get them back, even though it's impossible.  And I can't seem to shake them, despite the fact that I know it's over and nothing can change.  So what do I do now?  I guess that's my big cosmic question to the universe...what do I do now?  And maybe someday, I'll be drawing another face, and the answer will come out on the page.  Until that happens, I guess I'll just keep drawing face and listening to what they have to say.